Changemaker Authors Cohorts
Adam Nyang
Fiction
Adam Nyang is a Gambian who recently completed her Bachelor’s degree in English Studies at the University of Sidi Mohamed Ben Abdellah, Fes, Morocco. Adam has always been passionate about storytelling and reading. She has recently published a romance novel called Betting on Love under the pen-name Kani Sey with Love Africa Press. Her short story, Faroh, has been longlisted for the 2021 K and L Prize.
The book is a psychological realism novel that will depict youth, sexual awakening, desire, friendship and family. It wll dive deep into the struggles of Penda with mental illness that she lives with for years without a diagnosis. It is only when she travels to Morocco on a scholarship and following a severe depressive episode and a suicide attempt that she gets diagnosed with bipolar disorder.
Adrien Lorenzo Weibgen
Fiction
Adrien Lorenzo Weibgen has been part of racial justice movements for almost twenty years as a facilitator, capacity builder, organizer and policy advocate. They’ve worked with hundreds of grassroots groups and coalitions everywhere from South Dakota to the South Bronx to build a world where every one of us can access stability, freedom and joy. Adrien’s work has been published in The Yale Law Journal and The New York Daily News and featured in The New York Times and Teen Vogue, among others. They are a proud alum of poetry workshops at Cave Canem and Winter Tangerine.
Adrien is writing a young adult speculative fiction novel set in a future where humans have rendered the surface earth uninhabitable, forcing people to retreat below the rising seas to create new lives underwater. These communities include both people who are genetically modified/”adapted” to better survive the ocean, and unadapted, socially powerful elites who look down on the adapted as less than human. The novel explores climate, racial, and disability justice in an environment that upends what it takes to survive.
Aishah Shahidah Simmons
Memoir
Aishah Shahidah Simmons produces award-winning cultural work in documentary filmmaking, writing, and public speaking. Her lived experiences as a survivor of childhood and adult sexual violence, a Black feminist lesbian, and a 20-year Buddhist practitioner inform the creation of her work. She is the editor of the 2020 Lambda Literary Award-winning anthology, Love WITH accountability: Digging Up the Roots of Child Sexual Abuse (AK Press), and the producer/director of the 2006-released groundbreaking, Ford Foundation-funded film, NO! The Rape Documentary. She is the recipient of numerous awards and fellowships, including a Soros Media Fellowship, a Just Beginnings Collaborative Fellowship, and the 2019 Breakthrough U.S. Activist Impact Award.
I believe childhood sexual violence within the family is the frontier and foundation for most forms of violence. Love and Justice tells the story of unaddressed child sexual abuse that I experienced in my Black radical family and my subsequent healing journey. Love and Justice connects the dots between intrafamilial violence and interpersonal violence within the context of systemic violence committed against Black people. I do not dismiss nor condone the harm I experienced, witnessed, and also caused in the name of any greater issue. Instead, I seek to understand the harm that often lives in the shades of grey with deep compassion, understanding, and love WITH accountability® to heal and stop the cycles.
Akin Olla
Nonfiction
Akin Olla is a political organizer and strategist, who currently resides in Philadelphia and writes nonfiction, political comedy, and very short bios. He is a contributing opinion writer at the Guardian, an editor for The Forge, and the host of This Is the Revolution–a podcast that uses movies and television to explain revolutionary strategy and tactics.
His nonfiction project focuses on a student organization that existed with so much potential the CIA and the Catholic Church attempted to control it before it was even fully established. For almost a century, students built and maintained this institution, helping to shape and influence the modern left. The recent death of this institution endangers the entire left and makes student organizing more difficult to sustain than ever, but its demise was no accident, it was slowly murdered over a series of decades.
Aliya Sabharwal
Nonfiction
Aliya Sabharwal has been an organizer, strategist, and campaigner since 2015. Her interest in how economic injustice is crystalized in the economy and people’s lives came from organizing laid-off retail workers whose jobs were destroyed through Wall Street driven bankruptcies. Aliya led the field strategy in a campaign that won $20 million in severance pay from the private equity firms that destroyed Toys “R” Us. Currently at Americans for Financial Reform, she is building a national coalition of Wall Street accountability activists fighting back against the private equity industry’s takeover of other key economic sectors.
Aliya’s book is a reflection on the impacts of economic inequality on everyday lives. Centering the stories of workers whose jobs were destroyed by Wall Street, the book charts their journeys to becoming movement leaders organizing against Wall Street. Also included are reflections from current organizers campaigning against private equity’s worsening of the housing crisis. While other Wall Street books center the industry, this book is grounded in stories of directly impacted people and reflects on topics such as how complex processes like the financialization of our economy impacts real people, the meaning of work and how a financialized economy troubles that tension of what is work, and how social movements are forming around taking on Wall Street’s greed through structured and focused campaigns.
Amanda Mei Kim
Memoir
Amanda Mei Kim grew up on a tenant farm in Saticoy, California, and writes about the ways that collective power, racism, and nature weave through the lives of rural Californians of color. Her writing has appeared in the New York Times, PANK, LitHub, Brick, TAYO, Eastwind Magazine, DiscoverNikkei, and Nonwhite and Woman. Pieces are forthcoming in the farmworker issue of the Common and an anthology of Japanese American poetry. She is the founder and lead researcher for Kanshahistory.org, which publishes the property transfer records of Japanese Americans who had their farms taken during World War II. Professionally, Amanda is a strategist in ethnic media and the food and agriculture fields. She also serves on the board of the oral history nonprofit Voice of Witness and is a volunteer communications director for Hmong American farmers who are being harassed by their local government. www.amandameikim.com.
Amanda is writing a memoir-in-essays that uses her family’s 125-year history as agricultural workers to show how people of color created a more just and sustainable food system. She documents the labor, collaboration, and other practices that immigrants and people of color have used to grow healthy foods—practices that are increasingly important in our fragile food system and natural environment. They created farming cooperatives, packing and shipping exchanges, and marketing alliances. In this system, labor contractors were paid by the Asian and Latino farmworkers and were responsible for providing the best possible outcomes for workers. These interconnected, responsive systems started to crumble when tens of thousands of Japanese American farmers were unjustly incarcerated during World War II, which led to the rapid consolidation of land wealth and the ascendance of petrochemical farming.
Amanda tackles difficult, often horrific, topics, but she does it with tenderness, intimacy, and a sense of responsibility for her ancestors and the generations to come who will rebuild a healthy and sustainable food system.
Annie Tan
Memoir
Annie Tan is an educator, organizer, activist, and storyteller from Chinatown, Manhattan, fighting for young people, educators, immigrants, and Asian Americans. For over a decade, Annie was an elementary special education teacher in Sunset Park, Brooklyn, and Little Village, Chicago, working primarily with students of immigrant diasporas toward language accessibility. Annie hopes to honor the legacy of her cousin Vincent Chin, whose 1982 killing in Detroit led to an Asian American movement. Annie currently manages a virtual mentoring program for Asian American high school youth. Her work has been featured on Huffington Post, PBS’ Asian Americans, PBS’ Stories From the Stage, Edutopia, and on NPR’s The Moth Radio Hour. Find more at annietan.com.
Learning to Speak is Annie Tan’s memoir chronicling her journey, as someone who isn’t fluent in Cantonese or Toisan, to know her immigrant parents who don’t speak English. She is shocked yet empowered when she learns she is a cousin of Vincent Chin, whose 1982 Detroit killing led to an Asian American movement. With growing purpose, she begins her journey as a special education and English as a New Language teacher in Chicago, teaching kids from immigrant diasporas and standing up for their rights. In this coming-of-age memoir, Annie must learn from her legacy to speak up: for her students, community, and family.
Audrey Kuo
Fiction
Audrey Kuo is an interdisciplinary artist, abolitionist, coach, and mischief enthusiast working toward collective liberation. As the co-creator of Freedom Verses LLC, Audrey supports individuals and communities in connecting with their values and purpose. Their work is shaped by their identity as a disabled trans person in the Taiwanese, Chinese, and queer diasporas.
Through experience design, live performance, and collaborative project-based work, Audrey explores their belief that the work of liberation asks us to not only dismantle systems of oppression, but also to offer compelling, joyful, just, and tangible alternatives. They lean on play, improv, and time travel as exploratory spaces to imagine beyond our current realities. Audrey is the author of two poetry collections and the short play “Every Story is a Love Story.” They currently reside on unceded Tongva lands and share their home with two cats.
The Boy in the Kitchen is a speculative historical young adult novel following a disabled trans Taiwanese teenager’s explorations of his role in movement work. (Spoiler: He learns that our collective liberation is also about the friends we make along the way, and how we build community with one another.) The book emphasizes the need for storytellers, shared meals, and food justice in movement work and de-emphasizes the idea of a singular hero, in favor of supporting each character in recognizing that they are part of broader ecosystems of resistance.
Ayling Zulema Dominguez
Poetry
Ayling Zulema Dominguez is a poet, mixed media artist, and youth arts educator with roots in Puebla, México, and Santiago de los Caballeros, República Dominicana. Grounded in anticolonial poetics, their writing asks who we are at our most free, exploring the subversions and imaginings needed in order to arrive there. Ancestral veneration, Indigenous Futurisms, and communing with the archive are major themes in Ayling’s writing. What can language do for our resistance efforts? How can we use it to birth new worlds and weave our ancestors into the fabric of them? What to do with all this rage, sorrow, joy—all this inheritance? Their writing has recently been supported by Tin House, We Need Diverse Books, and the Virginia G. Piper Center for Creative Writing. Ayling continues to nurture community by hosting free monthly writing workshops online, installing interactive public artworks, and hyping up fellow poets at open mic joints.
Ayling’s manuscript is a dance between bloom and rot, body and world, myth and re-narrativization; a sea of poems unearth and re-root Mexican Indigenous and Dominican histories. The book turns memory liquid and nonlinear as an embodiment of historian Roxanne Dunbar-Ortiz’s notion of “unforgetting” narratives and experiences colonialism tried to bury. The book incorporates decoding, choose-your-own path poems, and more, in an effort to queer norms and subvert current relationships with colonial language.
Catherine Hyde Townsend
Nonfiction
Catherine Hyde Townsend has advocated for the inclusion of people with disabilities in human rights and social justice philanthropy for over 15 years. With deep knowledge about how disability connects with gender and racial justice and sexuality and reproductive rights, she is a recognized thought leader on disability inclusion. Her own disability experience has fueled an intimate understanding about patriarchy, beauty standards, and ableism. She currently serves as the Senior Advisor for Disability Inclusion at the Ford Foundation where she advises leadership on organizational change to advance disability inclusive policies, practice and programs. She often serves as a trusted advisor to private donors, NGOs, and UN agencies.
Tentatively titled Moving Mountains: Building Power from the Margins, this co-authored book will document the journey to build the Disability Rights Fund (DRF) embodying “nothing about us without us.” DRF’s story – not always easy – is the story of shifting decision-making to people with lived experience. From the Fund’s modest start, it has provided more than $40 million in funding to the disability rights movement, modeling how philanthropy can (and must) change the way we work, who we listen to, and to whom we are ultimately accountable. The book will illustrate what is possible when we have structures that recognize the power of all individuals and collective iteration. By including insights of disability rights activists who have been collaborators and friends, the book will uplift the disability rights notion of interdependence and the reality of intersectionality.
Chinyere Tutashinda
Nonfiction
Chinyere Tutashinda is a Black organizer, educator, trainer, and direct action strategist who is Cali born with southern roots. She is the executive director of the Center for Third World Organizing, and is dedicated to the liberation of Black people and all oppressed people. It is her deep love of people that grounds her work and her approach to life.
Love Lessons for the Movement is a reference for organizers, communities, and people who care about social justice. This project offers guidance and know-how from past movements in a way that is digestible, accessible, and thought provoking while giving context for how these lessons are applicable in today’s world.
Dev’n M. Goodman
Fiction
Dev’n M. Goodman is an educator and advocate working to grow community culturally and equitably. No matter the initiative, their goal is always to provide access and opportunity to those whose voices and talents have too often not been amplified.
Their book is a historical fiction detective novel, set during the post-Reconstruction Era. In their novel, the first Black American nun leads the charge to find missing Black girls in the city of New York. Along the way, she encounters places and people who are pivotal in American history.
Devon Hamilton
Hybrid/Experimental
Devon Hamilton is a food justice advocate with a deeply intersectional background in community organizing, youth education, sustainable agriculture, and the culinary arts, among other roles. He is the owner of a local barbecue and gardening business called Grillin’ For The People (G4TP), that offers community resources and food services primarily in the Leimert Park and South Central LA area.
The Inkwell Beach Series is a collection of stories and recipes inspired by historic Black beach sites (Inkwells) across the United States and elsewhere. Pre-civil rights era, Black people faced a spectrum of experiences accessing public beaches, most often being restrictive or violent by design. These stories, and the range of their political and cultural influence, reverberate throughout Black history and experience in ways that affect our relationship with land and the environment to this day. This history, and the reimagination of Black-beach food culture, will be documented following a national tour visiting over a dozen Inkwell sites, and interviewing various key voices associated with their influence.
Diana Beth Samarasan
Nonfiction
Diana Samarasan has spent the last two decades advancing disability rights at global levels. She was the founding Executive Director of global participatory grantmakers, the Disability Rights Fund (DRF) and the Disability Rights Advocacy Fund (DRAF), which have provided more than $40 million to disability rights movements across the Global South. DRF is one of the early global grantmakers to embody “nothing about us without us” and include people with lived experience – people with disabilities – at all levels of decision-making. Diana’s work has been featured in numerous publications, most recently in the book, Letting Go: How Philanthropists and Impact Investors Can Do More Good by Giving Up Control.
Tentatively titled Moving Mountains: Building Power from the Margins, this co-authored book will document the journey to build the Disability Rights Fund (DRF) embodying “nothing about us without us.” DRF’s story – not always easy – is the story of shifting decision-making to people with lived experience. From the Fund’s modest start, it has provided more than $40 million in funding to the disability rights movement, modeling how philanthropy can (and must) change the way we work, who we listen to, and to whom we are ultimately accountable. The book will illustrate what is possible when we have structures that recognize the power of all individuals and collective iteration. By including insights of disability rights activists who have been collaborators and friends, the book will uplift the disability rights notion of interdependence and the reality of intersectionality.
Ellen Bravo
Fiction
Ellen Bravo is a long-time activist and author who’s spent decades organizing among low-wage women from a social justice feminist framework. She’s written several non-fiction books, including Taking on the Big Boys. Her first novel, Again and Again, dealt with date rape and politics. Her second, Standing Up, written with her husband and due out March 8, highlights moments when workers band together to stand up to oppression.
Americanida (the Greek word for an American woman) is the story of a woman finding her own voice in a world of contradictions. Miriam Cohen Grigorakis is the only woman, only non-Greek and only Jew in a Montreal group organizing against the Greek dictatorship in the late 1960s. Her emerging feminism is viewed as a form of American imperialism. As she seesaws between being Miritsa Grigorakis in the Greek community and Miriam Cohen in the rest of her life, she braces for the day her exiled husband will be able to return to Greece and wonders who she will be if she goes with him.
Emily Ramirez
Fiction
Emily Ramirez is a queer Dominican woman, born and raised in NYCHA housing in Brooklyn, and is currently a digital organizer at Families Belong Together and a social justice teacher/curriculum developer at the Sadie Nash Leadership Project and at Girls Be Heard. She holds a Bachelors in creative writing and comparative literature, and has published works in Huizache, Girls Write Now: Two Decades of True Stories From Young Female Voices, and the journal, Wizards in Space.
Emily’s an avid reader and facilitates a monthly book club that centers the fiction of women of color through her book review Instagram at @readwithemily!
Ellie is a young Dominican American 12-year-old girl who is secretly falling in love with a girl while on a summer vacation visiting the campos of her family’s hometown in Santiago, Dominican Republic. Though shy, Ellie is steadfast in fighting her older brother Johnny’s controlling nature that keeps her from being comfortable in her own skin and coming out to the family she loves. During their time in the motherland, Johnny terrorizes Ellie with tales of how “El Cuco”, the blood-sucking demon Dominican children grow up afraid of, will come find her if she steps into the depraved inclinations he is running from himself. As Ellie challenges the machismo that torments her growing desires, she grows into herself and her queerness, and in doing so discovers her voice.
Fabiola Santiago
Nonfiction
Fabiola Santiago is from Santiago Matatlán, Oaxaca, Mexico and belongs to the Central Valley Zapotecs. Her experiences as a formerly undocumented person and her connection to Oaxaca’s rich culture anchors her commitment to community, equity, and possibility. She’s the founder and executive director of Mi Oaxaca, an organization whose purpose is to combat Indigenous erasure through narrative change, cultural education, and collaboration with compatible organizations across borders. Fabiola imagines a world where Indigenous people are attributed for their cultural and culinary contributions and have sovereignty over it. She earned her bachelor’s degree in sociology and master’s degree in public health from the University of California, Los Angeles.
Fabiola’s creative non-fiction book explores the commodification of Oaxaca, Mexico, through an intersectional-diasporic-Indigenous lens. The book focuses on the prevalence of cultural appropriation and indigenous erasure in the mezcal and food industry. Through interviews and talking circles, she shares experiences of Oaxaqueñas/os who are the backbone of the commercial industries. It offers thought-provoking and reflective stories aimed at challenging consumerism as a way to build systems where Indigenous peoples and lands are respected and sovereign.
Fin Leary
Fiction
Fin Leary (he/they) is an autistic and transgender author, a program manager at We Need Diverse Books, and a faculty member at Emerson College, where he teaches in the MFA in popular fiction. Fin is the editor of the science fiction anthology Future States of Stars (OwlCrate Press, 2025). His short fiction is forthcoming in the young adult horror anthology These Bodies Ain’t Broken edited by Madeline Dyer (Page Street Publishing, 2025). His fiction has been supported by a Lambda Literary fellowship, the Tin House Winter Workshop, and the GrubStreet Novel Generator program. Fin lives with his orange literary cat and a rainbow bookshelf outside of Boston, Massachusetts.
Fin’s novel, Son of a Book Ban, is the story of Nat Gallagher, a transgender high school senior, as he fights against the censorship of his late mother’s final novel. Nat and his fellow students reckon with the reality of censorship and transphobia in their school and local community as he faces layers of his grief.
Grace Jahng Lee
Fiction
Born stateless in Seoul and raised on four continents, Grace Jahng Lee is a writer, editor, harm reductionist, and public health practitioner who has worked for two decades with people experiencing homelessness, queer/BIPOC/immigrant communities, sex workers, and people who use drugs. Fragmented identities, memory, addiction, intergenerational trauma, and home are central themes in her writing. She has been awarded residencies, fellowships, scholarships, and grants from VONA, Kundiman, Yaddo, Brooklyn Arts Council, NYFA, Hedgebrook, Hambidge, and the Jerome Foundation, among others. She is a contributing editor at Guernica and the creative nonfiction editor and health editor at Hyphen.
Grace Jahng Lee is writing a book about a Korean immigrant family struggling to piece together fragmented lives. The story is situated within intergenerational histories of colonization by Japan and the U.S. military. What does it mean to belong? How do we find home and community?
Hans Lindahl
Graphic Narrative
Hans is a writer and artist known for expansive commentary on intersex issues. This work builds on the blessing of a childhood spent among multiple generations of intersex activists, and formative experiences in Bay Area queer comics and activism communities.
While in California, Hans’s organizing and digital strategies as the former Communications Director of interACT helped pass the country’s first legislation denouncing infant genital surgeries. Hans’s articles, videos, and comics promoting affirming and non-medical views of intersex people have been translated into four languages.
Following this, Hans aims to write a graphic novel that will make a banned books list.
How do you come of age when puberty never happens? Karyotype is a YA graphic novel romance that tackles intersex medical abuse and the variety of forms queer love can take.
Jackie Fawn
Graphic Narrative
Jackie Fawn is a graphic illustrator currently residing in Akwesasne, Mohawk Territory. Her art has been recognized in Indigenous spaces by her vivid depictions of warrior women defending the land and people against modern day colonialism. In recent years, Jackie’s work has begun to enter educational curriculum, environmental organizations, and health campaigns to uplift Indigenous resiliency and healing. Jackie’s recent art has been heavily inspired by the new aspect of parenthood, as it is her forever reminder of the importance of fighting for a brighter future for the next generations.
Rez Dayze is a romantic comedy that follows the lives of modern day Indigenous Creation Heroes. These ‘heroes’ must harness their primal ancestral powers to rise in the face of colonial forces in the shape of extractive companies planning to put a pipeline through their reservation.
Jennifer Thuy Vi Nguyen
Nonfiction
Jennifer Thuy Vi Nguyen (she/her) is a queer Vietnamese American writer who writes about belonging, assimilation, and power. Her essays have been a “Notable” selection for The Best American Essays 2024, nominated for a Pushcart Prize, and appeared in Longreads, The Offing, and Foglifter. She was the editor of Emerge: The Anthology for the 2023 Lambda Literary Writers Retreat. Her writing has been supported by Tin House, the Banff Centre for Arts and Creativity, and Macondo, among others. A proud native Houstonian, she holds a master’s degree in English from Georgetown University where she was the winner of the Bernard M. Wagner Medal for Excellence in Writing. For the past six years, Nguyen has been a director at a spend-down foundation based in San Francisco, managing the deployment of nearly $100 million dollars to education initiatives across the West Coast.
Jennifer’s book argues that the opaque world of private philanthropy—including the foundation of her employment—creates more harm than good because it is driven by the donors’ outsized influence over what a community gets. Through a series of punk-style reportage essays, Vision/Statement uncovers how foundations are contradictory entities that value the status quo over systems change and should be subject to strict tax regulations leading to institutional philanthropy’s eventual abolishment.
Jess Clarke
Memoir
Jess Clarke is a genderqueer writer, performer, and organizer from Oakland, California. They’ve been on the frontlines and in the back offices of justice struggles for the last half-century. From organizing a cultural center in San Francisco’s Tenderloin in the 1980’s, doing solidarity with the Zapatistas in the 90s, editing Race, Poverty & the Environment in the 2000s, to launching Radio Reimagine in the 2020s, liberation of all kinds —personal, social, economic and political—is the common goal of their projects. Jess has been a featured performer at the Oakland Museum, Oakland Public Library, Marsh Theater SF & Berkeley, Story Slam Oakland and Berkeley Repertory School of Theater.
Imagining Liberation follows a nonbinary Irish-Catholic kid through the permutations of their identity through the decades. The memoir kicks off with the narrator exploring gender-free names in a 1960s Catholic church service, fighting for peace in Vietnam, and then investigating androgyny and sexuality while living alternately in KKK Maryland with a 13 member “blended family” and with their mother’s various hippie collectives in Mendocino and Washington DC. From these formative roots, the narrator launches into a broader world of political and social movements: confronting Henry Kissinger on the Columbia campus; challenging South African apartheid; co-creating a cultural center in San Francisco’s Tenderloin district; and other organizing breakthroughs. The book deals with gender identity, racial justice, and sexual assault but grounds these big themes in compelling stories that stay close to the narrator’s life.
Jessica Beth Howard
Memoir
Beth Howard is the Rural Kentucky Campaign Director for Showing Up for Racial Justice (SURJ) where she is leading base building organizing in majority white communities to bring her people into working class multiracial alliances and pull them away from the Right and white supremacy. She is from a working-class family in rural Eastern Kentucky and she has over 15 years of experience in grassroots community organizing and leadership development. She is deeply committed to liberatory organizing strategies to build a multiracial poor-working class people’s movement in Appalachia and the American South. She lives in Lexington, KY with her partner Andrew, their faithful dog Sandy, and their defiant cat Tadpole.
The working title of my book is Rednecks for Black Lives. The book is a political memoir centered around my story growing up working class in a majority white rural community in Appalachia. It is the story of how I became a revolutionary, a self proclaimed “Redneck,” and an organizer. The memoir will weave together stories from my life, including lessons and strategy from my 15 years of organizing experience. The book culminates in a call to action for poor and working class white people in Appalachia to take up the call for racial justice and class solidarity.
Lina Srivastava
Nonfiction
Lina Srivastava is a strategist, advocate, producer, and founder of the Center for Transformational Change, a social enterprise that applies narrative strategies to cultivate community power and build just futures. Lina has collaborated with civil society organizations and international NGOs and has worked on social engagement strategy for award-winning film, media, and art projects. She has taught in the SVA Masters of Design for Social Innovation Program, has been a Rockefeller Foundation Bellagio Center Fellow, a Rockwood Institute/JustFilms Fellow, a Fellow of the Royal Society of Arts, and is a graduate of New York University School of Law. Lina’s writing has appeared in venues such as TIME, Ms. Magazine, and the Stanford Social Innovation Review. She is the co-producer and moderator of The New Humanitarian’s Power Shift podcast.
Lina’s book offers a framework for creating more just and vibrant futures grounded in narrative power. At a time of global precarity, we are facing the combined effects of climate crises, displacement, authoritarianism, and rising inequality. But we still have time to transform our systems. Built on two decades of her work, the book will feature case studies from Lina’s own portfolio as well as those of other creative advocates, demonstrating how shifting narratives can fuel collective action toward justice, equity, and shared prosperity.
Liz Ogbu
Nonfiction
Liz Ogbu is a designer, urbanist, spatial justice activist, and a globally recognized expert on engaging and transforming unjust urban environments. From designing shelters for immigrant day laborers in the U.S. to a water and health social enterprise for low-income Kenyans, Liz has long worked with historically marginalized communities to leverage design to catalyze community healing and foster environments that support people’s capacity to thrive. She is founder and principal of Studio O, a multidisciplinary design consultancy that works at the intersection of racial and spatial justice. Liz has also held academic appointments at leading universities across the United States and is currently a visiting professor at the University of Virginia.
Her projects have been featured in museum exhibitions and publications globally. Her honors include IDEO.org Global Fellow, TED Speaker, Aspen Ideas Scholar, Droga Architect in Residence (Australia), and LISC Rubinger Fellow. She earned architecture degrees from Wellesley College and Harvard University.
Liz’s book is one of ideas, stories, and practices intended to explore the intersection between grief and space, and serve as a primer for how people can engage in grieving, reckoning, and repair by healing themselves, their communities, and the places that they call home. We often think of grief in terms of emotions, not physical space. But grief and space have long been intertwined, particularly for historically marginalized communities.
Luis Avila
Nonfiction
Luis Avila is a writer, radio producer, and community organizer. At age 15, Luis founded a youth publication in Mexico, where he served as editor and collaborator. In 2000, he migrated to the United States and launched a bilingual publication focused on the vision of bilingual youth. In 2004, Luis joined the American Freedom Summer program in Jackson, Mississippi, and made a career as a community organizer. He collaborated with others to advocate for immigrant rights and fight against discriminatory practices, and he has been integral in building political infrastructure in Arizona. Luis has an extensive career as a journalist and has been a contributor for publications in Latin America and the U.S. He has also served as a contributor for radio, TV, podcasts, and print. In 2016, Luis published Nómada Temporal, which was a #1 featured title on Amazon’s travel section bestseller list.
El Rana is a road trip novel taking Julio to Phoenix to reunite with his mom, but they are both keeping a secret that will change each other’s lives. This novel is a story of loss, friendship, and redemption that challenges existing narratives of migration and the motivations behind crime and violence.
Malkia Devich Cyril
Hybrid/Experimental
Malkia Devich Cyril is a writer, public speaker and award winning activist on issues of digital rights, narrative power, Black liberation and collective grief; and is the founding and former executive director of MediaJustice — a national hub boldly advancing racial justice, rights and dignity in a digital age. After more than 20 years of media justice leadership, Devich-Cyril now serves as a Senior Fellow at both Media Justice and at Philanthropic Initiative for Racial Equity.
Through a combination of personal storytelling and political essay, the book Radical Loss: Black Grief Can Change the World refutes the notion of privatized grief and proclaims American grief as both a source of generational trauma and inequality and as a powerful driver for new grief-informed approaches to civil rights that can accelerate fights for racial justice and strengthen democracy beyond our wildest dreams. Autobiographical in nature, this creative non-fiction book tells the tumultuous story of a Black activist’s journey with personal loss alongside the nation’s collective journey with highly charged public loss. Poetic, deeply personal and interdisciplinary, Radical Loss attempts to answer the question: how can a polarized nation in the midst of multiple crises model a politicized and radicalized grief that can transform loss into shared grievance with the power to forge belonging, and construct new meaning and conditions that can bring about the democracy we all deserve.
María José Román Gómez
Graphic Narrative
María José Román Gómez is a cultural advocate passionate about social justice, female empowerment, and freedom of expression. Born and raised in Colombia, María migrated to Germany 12 years ago. She currently serves as a project manager for international cooperation initiatives focused on harnessing the potential of documentary film for social change and supporting impact production efforts by organizations in South Africa and Colombia. In her practice, she prioritizes heartfelt communication at eye level with partners from the global south, and has recognized the profound potential of storytelling for shifting perceptions and narratives about issues such as migration in the public discourse. As a result, she places great value on crafting her own voice to share captivating human stories from the diverse worlds she has encountered.
Reciclator is a graphic novel that tells the story of Martha Chon, a recyclable waste collector in Bogotá whom María first met years ago when she came to her neighborhood in search of recyclables. María and Martha are co-writing this story together. Reciclator aims to reach middle-class citizens and policymakers in large cities across Colombia and other regions who often stigmatize recyclers collecting waste in affluent areas, associating poverty with criminality, and failing to recognize collectors’ dignity, in addition to reaching recyclers who may not fully realize the environmental significance of their work.
Melissa L. Bennett
Fiction
Melissa L. Bennett is a writer, storyteller, storylistener, and educator. She is an Indigenous auntie (Umatilla, Nimiipuu, Sac & Fox, and Anishinaabe), ancestor whisperer, tarot reader, spiritual mentor and healer. For over 25 years Melissa has turned her love of storytelling and storylistening into a spiritual practice. She serves her community as a spiritual care provider and spiritual mentor bearing witness to the stories people share in order to help them see where meaning, belonging, curiosity, and possibility exist in their lives. Melissa’s identity as an Indigenous woman, a transracial adoptee, a person with chronic illness, lifelong anxiety and depression, and neurodivergence has shaped her work through a healing justice lens. She is committed to utilizing story as medicine for healing the past, addressing systems of oppression in the present, and imagining equitable futures where all people are safe, free, and thriving.
Melissa is working on a speculative memoir exploring the stories and lives of seven generations of Indigenous women in her maternal family line. The manuscript asks why, in a matriarchal culture, were these seven generations of mothers and daughters living lives separate from one another, how did these separations impact the family, and how did they affect the passing on of cultural tradition?
Mick Moran
Graphic Narrative
Mick Moran is a queer, nonbinary, white, fat, disabled artist and radical full-spectrum doula living in unceded Lenape territory (Brooklyn, NY). They have self-published more than a dozen zines on topics such as self-advocacy, disability, body size, gender, and end-of-life. Mick is the co-creator of My Choice Always, in All Ways: A Zine about Abortion for Trans and Nonbinary Folks and the editor of DIY Doula: Self-Care for Before, During, and After Your Abortion.
Mick has taught workshops on reproductive justice, creating screen-reader accessible zines, and media activism, and their comics have been published in Comics for Choice and Narratively. A 2024 Emerge Fellow with the Longmore Institute on Disability, they are a “disability doula” for people navigating the complex systems and feelings that come with a change in ability.
Mick’s book is a graphic memoir-in-progress that demonstrates, through personal stories of interactions with healthcare providers, that the consequences of implicit bias are more than just “hurt feelings.” Rooted in disability justice, reproductive justice, and fat liberation, this book questions who is seen as deserving of care and how that care is delivered.
Munira ‘Mun’ Alimire
Fiction
Munira ‘Mun’ Alimire is a baby bassist, dreamer-writer-producer, longtime community organizer, and a distant cosmological object. She is a Somali-American artist who grew up in Kenya, and returned to the United States, where they graduated from Stanford University. Munira’s interests are broad, from city planning and mutual aid, to the intersections between gentrification and settler colonialism. Their time as a student organizer, and a community-based researcher encouraged their fictional pursuits. Munira is still involved as an organizer, as they also endeavor into the writing world. Munira currently works as a city planner for rural communities and in their free time, they crochet, write fantasy, and longboard. Munira dreams of publishing novels, playing bass in a band, writing for webcomics and radio dramas, and most importantly, living in a liberated world.
Munira ‘Mun’ Alimire is a baby bassist, dreamer-writer-producer, longtime community organizer, and a distant cosmological object. She is a Somali-American artist who grew up in Kenya, and returned to the United States, where they graduated from Stanford University. Munira’s interests are broad, from city planning and mutual aid, to the intersections between gentrification and settler colonialism. Their time as a student organizer, and a community-based researcher encouraged their fictional pursuits. Munira is still involved as an organizer, as they also endeavor into the writing world. Munira currently works as a city planner for rural communities and in their free time, they crochet, write fantasy, and longboard. Munira dreams of publishing novels, playing bass in a band, writing for webcomics and radio dramas, and most importantly, living in a liberated world.
Naro Alonzo
Fiction
Raised in Davao, Philippines, Naro Alonzo is a tagahabi, or psychosocial accompaniment for a collective offering ginhawa (wellbeing) and care support to social justice defenders and communities struggling against human rights violations, extractivism, and colonization. A clinical psychologist-in-training in the University of the Philippines, they practice as a decolonial, trauma-informed, human rights-based psychosocial security specialist focusing on victim-survivors of political repression. Naro’s writings (poetry/fiction) have been anthologized in Danas (Gantala Press), Busilak: New LGBTQ Poetry from the Philippines, and Tingle: Anthology of Lesbian Writing.
Naro’s queer YA speculative fiction novel centers on community care and courage in a time of enforced disappearances and militarization. It explores how political repression appears in the lives of ordinary people, such as in their emotions and relationships, and their psychological journeys.
Nic Santos
Nonfiction
Nic Santos, writer and policy advisor, advocates for the protection of cultural and environmental resources in Guam and the Marianas. Nic, a queer Tagalog/Kapampangan, born and rooted in Guåhan, as well as a mother and grandmother to Filipina-CHamoru children, served nearly ten years with the Guam Legislature and was chief of staff to the Legislative Committee on Culture and Justice. Nic taught in the Women & Gender Studies Program at University of Guam and co-chaired Fuetsan Famalaoʻan (Strength of Women). In Oʻahu, Nic worked as a public policy advocate at Office of Hawaiian Affairs, interned with Huliauapaʻa, a cultural resource management organization, and received certification in historic preservation with a concentration in cultural protections from UH Mānoa. Nic was a 2021 Open Society Foundation Leadership in Government Fellow and has MA degrees from University of Guam in Micronesian Studies and UC Santa Cruz in History of Consciousness & Feminist Studies.
Nic’s nonfiction project focuses on the Marianas Archipelago, which serves as the regional frontlines of U.S. deterrence against China. To support the realignment of U.S. military forces in Asia and the Pacific, the peoples of this region have been remarkably and historically burdened; their lands and ecosystems sustaining significant injury. This primer draws from community experiences in Guåhan/Guam in the face of military development, illustrates the importance of narrative change for cultural restoration and healing, and proposes questions and strategies for more meaningful consultation in the Marianas and throughout Micronesia.
Nicole Shawan Junior
Fiction
Nicole Shawan Junior is the creatrix of SeaSalted Honey, the Afrika-based residency for artists of the Afrikan diaspora, and Roots. Wounds. Words., a literary arts organization for BIPOC storytellers. Their writing is anthologized in The Sentences That Create Us: Crafting A Writer’s Life in Prison (Haymarket 2022) and Edge of the World: An Anthology of Queer Travel Writing (Blair 2025). Nicole’s creative nonfiction has been published in Oprah Daily, Guernica, The Rumpus, The Feminist Wire, ZORA, Teachers & Writers Magazine, and elsewhere. They have received residencies and fellowships from Tin House, Bread Loaf Writers’ Conference, Hedgebrook, Lambda Literary, New York Foundation for the Arts, Periplus, and more. Nicole is the former editor-in-chief of Black Femme Collective, prose editor at Women’s Studies Quarterly of the Feminist Press, nonfiction editor at Raising Mothers, and assistant nonfiction editor at Slice Magazine. Nicole has guest edited for The Rumpus and the Massachusetts Review.
Nicole’s novel Ire & the Girl, Slice is a dark literary fantasy. Life has had a way of chin-checking the Girl, seventeen-year-old amateur boxer Monique “Slice” Shore. Orphaned, the Girl’s unmothered coming-of-age dishes cross after cross. Sentenced to home incarceration, a foster parent’s vengeance jabs at her chances of keeping unbarred. Boxed out from seeing her pops in the prison wherein he’s caged, she ferociously protects her only lifeline to him—a cell phone. But when a vampiric strain takes over Brooklyn, the Girl must decide what’s more important: her pops or humanity.
Olga Lucia Torres
Nonfiction
Olga Lucia Torres (she/her) has been sick her entire life: starting with severe asthma, a pituitary adenoma, later developing lupus and multiple other autoimmune diseases, and ultimately experiencing a devastating brain injury that left her disabled. Olga was a founding attorney of the Bronx Defenders. After recovering from the brain injury, she pivoted to patient advocacy, serving as the inaugural Northeast Region Advocacy Chair for the Lupus Foundation of America. She is a member of the Patient Engagement Collaborative, on the medical advisory board of Hear Your Song, teaches in the Narrative Medicine program at Columbia University, chairs the Multicultural Media & Correspondents Association Board of Trustees, and is the American Society of Journalists and Authors’ treasurer. Olga’s articles have appeared in the New York Times, New York Daily News, Parents, Next Avenue, and other publications.
Olga’s book is a comprehensive look into the deeply ingrained structural racism of the American healthcare system. The book offers both an analysis of systemic biases and their historical roots, as well as actionable advice that will empower marginalized patients and increase their chances of surviving in a system stacked against them.
Panthea Lee
Nonfiction
Panthea Lee is a strategist, curator, facilitator, and mediator working for structural justice and collective liberation. She builds and supports coalitions of community leaders, artists, healers, activists, and institutions to win dignity and joy for all. Panthea currently serves as the Executive Director of Reboot, and as a fellow at the Stanford Digital Civil Society Lab and at Arizona State University’s Center for Science and Imagination. She is a pioneer in guiding diverse coalitions to tackle complex social challenges, with experience doing so in over 30 countries with partners including UNDP, CIVICUS, Wikimedia, MacArthur Foundation, the City of New York, as well as civil society groups and governments from local to federal.
In Joyous Solidarity is a meditation on awakening, a call for defiant hope amidst debilitating despair, and a roadmap for how we come together before our world falls apart. Ethnographer, organizer, and mediator Panthea draws upon her experience fighting for our shared humanity across 30+ countries—from Afghanistan to Zimbabwe to the United States—to deconstruct the lies within dominant theories of social change, and to explore how we win not just reform but revolution. She excavates her Taiwanese ancestral wisdom, and weaves it with research and practices from radical history, healing justice, collective care, and liberatory art, to illuminate a path towards structural justice.
Raquel Villagra
Fiction
Raquel Villagra is a New York-based lawyer working to address the economic harms of systemic discrimination by fighting predatory financial practices and advocating for institutions rooted in cooperation, equity, and sustainability. She provides legal aid to low-income people on financial justice issues, litigates cases targeting harmful corporate and government practices that impact thousands, and organizes groups across New York to push for transformational policies, centering marginalized communities. In law school, she was co-editor-in-chief of the N.Y.U. Review of Law & Social Change, a publication for social change-oriented scholarship; a Helaine Barnett Fellow with Legal Services Corporation; and a student advocate defending children in juvenile delinquency cases.
Raquel’s book is a contemporary romance following an introverted law student who confronts her fears, finds her voice, and learns about love and the power of women of color to create change along the way.
Rona Fernandez
Fiction
Rona Fernandez is a writer and sustainable housing, racial and environmental justice activist who was born and raised and still lives on the unceded territory of the Lisjan people in the East Bay area, California. Her writing has appeared in publications such as The Masters Review, The Rumpus, Yes! Magazine, Greater Good Magazine, and What God Is Honored Here? An Anthology on Miscarriage and Infant Loss—the first collection of writings by Native women and women of color on this topic.
Rona’s book is a climate fiction novel which centers on a mother struggling to heal and keep her children safe in an increasingly hostile world, with the help of strangers she must learn to trust. Her work pushes readers to not only imagine humankind’s future but to question their assumptions about their needs, and what they would be willing to sacrifice to make collective liberation possible.
Rosemary Rivera
Memoir
Rosemary “Rockie” Rivera started her career in the movement as a directly impacted volunteer. Growing up as a New YoRican in the system, Rosemary experienced first hand the injustices within multiple systems. In 2005 joined Citizen Action where she learned of systemic oppression and how it works. Rosemary began as the community organizer and in 2019 became the Co-Executive Director of Citizen Action of New York and the Public Policy and Education Fund. She serves on several boards and is the state chair of the Alliance for Quality Education.
This book proposal is a memoir that would take the reader on a journey into the two worlds that I have lived in – the streets and the movement. There are many similarities and stark differences between those worlds when it comes to power, self-interest, loyalty, and the relationship with money. My story is one of an 11 year old heroin addict from NYC who became the Co-Executive Director of one of the largest grassroots social and political organizations in New York state and how I found a purpose driven life in a world filled with every “ism” that predicted I would only be a statistic. There have been points in this journey where I have found the moral superiority of one world over the other is debatable.
Roula AbiSamra
Graphic Narrative
I’m the queer eldest child of Arab immigrants, a brown girl in the South, a reproductive justice & abortion access organizer out of Catholic school. My whole life, people have wanted to say I don’t belong. But I believe it’s our sacred duty to create spaces where belonging and truth-telling coexist.
Graphic memoirs like Persepolis and Fun Home touched me deeply and made me feel that my personal and family stories might have meaning for others, too. After the ceasefire of 1990, we visited our family in Lebanon as often as we could, until 2006 when sustained Israeli air bombing caused us to evacuate. That wasn’t my last visit to the old country, but it began years of survivor guilt and search for meaning—compounded by my hometown being leveled by Hurricane Katrina just months earlier. Through activism and organizing and truth-telling, I went on to forge a path full of meaning. But for many years, I kept within myself the stories of the bombings, the travels, my ancestors, my young siblings, learning multiple languages, learning I was different, learning I belonged, and much more — the stories of being a young brown child of the Middle East in the American South.
Shannon Cumberbatch
Nonfiction
Shannon Cumberbatch is the founder and facilitator of Uproot.ed, programming committed to uprooting oppression through education and action. She has several years of experience in managerial leadership, establishing equitable policies and practices, and transforming organizational culture across institutions. Shannon also has experience creating comprehensive training curricula as an educator, and advocating for marginalized people ensnared in oppressive legal systems as a public defense attorney. Shannon’s approach to anti-oppression work is primarily informed by her own lived experience as a Black woman directly harmed by institutional and interpersonal acts of oppression, as well as her study of critical race theory, radical Black feminist/womanist tradition, teachings of grassroots community organizers, disability justice advocates, PIC abolitionists and transformative justice practitioners.
The working title of this book is Uprooting Inequity in Your Institution, a nonfiction instructive resource for those seeking to uproot oppression in their ethos and implement more equitable policies and practices. The subject matter will explicitly discuss how racism, anti-Blackness, xenophobia, cisheteronormativity, ableism, classism, elitism and the intersection of each permeate common policies and practices embraced in institutions. More specifically, the text will unpack oppressive conventions and offer tools for transformation in recruiting, hiring, and retention; crafting institutional policies; cultivating an anti-oppressive office culture; and sustainably supporting marginalized peoples within the institution, including amid uprisings against systemic oppression in the world. The content will be be rooted in principles borne out of radical Black feminist tradition, prison industrial complex abolition, transformative justice, and disability justice frameworks. I will incorporate use of story-telling/narrative weaving informed by my own and other common experiences to illustrate how inequities manifest within institutions and impact people pushed to the margins.
Shokoofeh Rajabzadeh
Hybrid
Shokoofeh Rajabzadeh was born in Iran, grew up in California, and now lives in New York. She holds a PhD in English Literature from University of California, Berkeley. Her dissertation theorizes the racialization of premodern Islamophobia. She is a founding member and executive board member of Race Before Race. Recently, she ran for Board of Education in her small town in New York. She works as a program manager at the nonprofit organization Community-Word Project. Her creative nonfiction has previously appeared in or is forthcoming in Zyzzyva, Boston Accent, Wellcome Collection, Literary Mama, and the anthology My Shadow Is My Skin: Voices from the Iranian Diaspora.
The (In)visible Muslim Woman is an experimental memoir on hijab. Through vignettes, photographs, essays, and stories from Shokoofeh’s great grandmother to mother, this book engages with an object that is at once aesthetic, spiritual, and political. It meditates on how the author has grappled with, enjoyed, and grieved the ways her identity has changed as she’s worn and removed the hijab.
Silky Shah
Nonfiction
Silky Shah is the executive director of Detention Watch Network, a national coalition building power to abolish immigration detention in the US. She has worked as an organizer on issues related to immigration detention, the prison industrial complex, and racial and migrant justice for 20 years.
My book project, Unbuild Walls, contends that the prison industrial complex and U.S. immigration enforcement policy are not separate, as commonly understood, but intertwined systems of repression, and that to fully achieve justice for immigrants we must embrace prison abolition. The book provides an anatomy of the last 40 years of immigrant incarceration, an analysis of the efforts and failures of the immigrant rights movement to come to grips with increasing criminalization, and strategies for dismantling both systems
Sol Garcia Jones
Fiction
In their career, Sol Garcia Jones has focused on creating learning and healing spaces around identity, social justice, leadership, and education. She is currently the national director of curriculum and instruction at the Surge Institute, a leadership development accelerator for BIPOC education leaders.
Sol’s book is the first of a climate fiction fantasy trilogy. The series follows a young woman from a remote tribe with unique abilities to manage extreme climate challenges that has remained separated from the mainland. Born in unusual circumstances, her bold protagonist seeks out answers by going to the mainland and defying tradition.
Thenmozhi Soundararajan
Fiction
Thenmozhi Soundararajan is a Dalit American commentator on religion, race, caste, gender, technology and justice. She is the executive director of Equality Labs and the author of The Trauma of Caste: A Dalit Feminist Meditation on Survivorship, Healing and Abolition.
Thenmozhi’s novel is an intimate portrait of resilience in a dark time.
Tiffany Yu
Nonfiction
Tiffany Yu is the CEO & founder of Diversability, an award-winning entirely disabled-run and led social enterprise to elevate disability pride. She is also a content creator with 200k+ followers across platforms. She is a 3x TEDx speaker and has been named a TikTok API (Asian & Pacific Islander) Trailblazer, a LinkedIn Top Voice in Disability Advocacy, and a Well+Good Changemaker. Her first book, The Anti-Ableist Manifesto, will be published by Hachette Go.
Tiffany has helped to invest over $170,000 in disability initiatives through the Awesome Foundation Disability Chapter and the Disability Empowerment Endowed Fund at Georgetown University. She has been featured in Marie Claire, the Guardian, and Forbes. She started her career in investment banking at Goldman Sachs and has also worked at Bloomberg and Sean Diddy Combs’ REVOLT Media & TV. She earned a bachelor’s degree from Georgetown University and a master’s from the London School of Economics. At the age of 9, Tiffany became disabled as a result of a car accident that also took the life of her father.
The Anti-Ableist Manifesto is a guide to reframing how we think about disability to go beyond mere awareness of “not being ableist” to being an active anti-ableist and contributing to forming a more equitable society for all.
Trevor Smith
Nonfiction
Trevor Smith is a writer, researcher, and strategist focused on topics such as racial inequality, wealth inequality, reparations, and narrative change. He is currently the Director of Narrative Change at Liberation Ventures, a field builder fueling the movement for Black-led racial repair, where he is building the Reparations Narrative Lab (RNL). The RNL is a first-of-its-kind creative space designed to build narrative power behind reparations. He is also the creator, curator, and editor of a newsletter titled Reparations Daily (ish).
Lethal Stereotypes is a nonfiction novel that illuminates how the stories we have told about race have always served to degrade, dehumanize, or exploit Blackness and have led to the creation of harmful and dangerous narratives. When aggregated, these harmful narratives coalesce to create a lethal environment where Black lives are taken easily. Through the life stories of various Black people, Lethal Stereotypes shows how the stories we tell are more dangerous than we might think.
Vinay Krishnan
Nonfiction
Vinay Krishnan is a writer, organizer, and attorney living in Brooklyn. His writing has appeared in Barren Magazine, The Forge, SLAM Magazine, and elsewhere.
Vinay is the National Field Organizer for the Center for Popular Democracy, where he works to combat the overdose epidemic, achieve global vaccine equity, and create a universal healthcare system in America.
As we work to create a world in which every one of us can thrive, we must confront the ableist roots of every system and structure in this country. This book of essays will examine how ableism drives capitalism, white supremacy and incarceration. These essays will push us to transform these systems and create a new world grounded in values of disability justice, one that honors and protects the inherent dignity of every person.
Zachary Norris
Nonfiction
ZACH NORRIS is the former executive director at the Ella Baker Center for Human Rights and has worked for over two decades advancing racial, economic, and gender justice in California through changes to the criminal legal system. As the California Climate Director at Greenpeace, he still fights for a world where people aren’t treated as disposable. Norris also co-founded Restore Oakland, an advocacy and training center empowering Bay Area community members to transform local economic and justice systems. He is also the co-founder of Justice for Families, which works to end youth incarceration.
Zach’s book will examine the root causes and impact of family separation in the United States. Paradoxically, families being torn apart might be the one story that binds Americans together. As a quintessential story of our past and present, family separation demands a new shared vision for our future: collective care.